'Alice Walker’s The Color Purple: Analysis\r'

'Alice Walkers The deform Purple From reading the extract from The rubric Purple, the reader is shocked almost true away from how the component/ narrator (who in this case is the author Alice Walker) is treated and brought up by her beginner. The way in which the invoice is told is in the form of letters and a kind of diary addressed to idol as she is told â€Å"You better not secure anybody but graven image itll kill your ma”. The reader corporation almost mind that this was written and was never expected to be read or seen by anyone else, it feels rattling person-to-person and private to the young young lady just between her and god.\r\nThe language she uses is stamp down in the way that you can pretend this fourteen year old opprobrious lady friend who is not very considerably educated, talking and writing this way. Putting her storey across in a informal manner hammers home in a way the gravity of the young girls lease every last(predicate) the more a s it dialogue to a broad range of readers and is understandable to all. Also the syntax with the short and punchy sentences once more hits home and grabs the attention of the reader in effect(p) away ” My mama dead. She die let loose and cussing. She scream at me. She cuss at me. Im big. I cant move fast generous”.\r\nThe magical spell is highly emotive and graphical with the images it invokes upon the mind of the reader. You can feel the beatings and bawl out she suffers on an almost daily basis. With this macrocosm a true story it feels all the more real to the reader as you can sympathise for this poor girl and the ordeals she is confronted with, it would be hard for a separate of people to empathise with her as it is an extremely harsh and dire time in her life and maybe through this get going she has maybe helped people who are in a similar situation, which demonstrates how strong this piece is in creating the character/s.\r\nAgain you can really feel fo r her plight end-to-end the extract it could be argued that writing a personal story is probably easier than that of a work of fiction, as there is no imagination required because the characters and story are already created. This said with the graphic pointedness in which the author/character/narrator mystifys her story across it shows a effectualness and humbles the reader for the way the author has unresolved herself to the world. This again gives the whole piece a sense of realness, which would be harder to convey if it were a work of purely fiction.\r\nThe reader feels and cares well-nigh the characters well-being right away from the outgrowth three or four paragraphs as she endures being raped by her father and the beatings which followed. Alice Walker has created here an extremely unrestrained piece by the way she has put her own story in to wrangle and by using her own personal experiences of suffering. She has created a very strong character/narrator, so that anyone who reads this piece can externalize and feel as if we the readers are god and she is talking solely to us.\r\n'