The Fictional Character Cleopatra Essays -- Cleopatra Shakespeare Play

The Fictional Character Cleopatra The fictional display case of Cleopatra has captured the imaginations of people the world over. Helen of Troy was said to have had the face that launched a thousand ships. Cleopatra was not simply a beautiful and passive face, solely indeed commanded navies as well as the heart of the powerful oppose Antony. Looking at these two facts from the play one may find the political brilliance in her affections, solely also the dichotomy. Which one of her loves is true, and which is of an illusory nature? There is a constant battle between her peevishness towards the mighty Roman and her yearning for sovereignty and the glory of Egypt on her proclaim terms. This question certainly embroils the mind of Mark Antony, at least. All of this however, merely adds to her enigmatic depth of character and mystique. Cleopatra, despite being cunning and withal manipulative can be defined as one of writingss great fans. She was a lover of men and a lover of her country. A figure more driven in these categories would be firmly to find. Yet parallels can be drawn with Queen Elizabeth I of England. both were ardent, patriotic leaders descended from powerful rulers (in the case of Elizabeth, Henry VIII, and in Cleopatras instance the Ptolemeic dynasty). Wielding great authority themselves, Cleopatra also used her charms as a courtesan to bend the wills of her political peers. Elizabeth used her unmarried status to get it on numerous suitors to her political advantage. Their intelligence is another common trait. Elizabeths lingual ability is well attested, not only by her tutor Ascham, but by visitors to the English court who speak of precisely this facility in replying to ambassadors either i... ...e. This simple carpenter preached transcendence and many believe he save the world by the surrender of his life. Cleopatra found release with surrendering as well. She broke the conflicting chains of passi on, governance, and the other illusions of reality by surrendering her life.BibliographyBoyce, Charles. Shakespeare A to Z. Roundtable advertise New York, 1990Chauveau, Michel. Egypt in the Age of Cleopatra. Cornell University Press Ithaca and London, 1997Falconer, Colin. When We Were Gods. Crown Publishers New York, 2000Greenblatt, Steven. Antony and Cleopatra. The Norton Shakespeare Tragedies. W.W. Norton & Company New York, London, 1997Neely, Carol Thomas. Broken nuptials in Shakepeares Plays. University of Illinois Press Urbana and Chicago, 1993Smith, Marion Bodwell. Dualities in Shakespeare. University of Toronto Press, 1966